Moonstone Guitar: J-90 Model

 


Description: Moonstone J-90E:

What a stunner! Steve originally built this guitar for Richard Glick to market at FGCs.

So Steve used one of Richard's Lucky 12 tops of salvaged Sitka Spruce submerged for 80 years ( a GOOD thing! )

After awhile, Steve decided he wanted to keep this special guitar for himself, so he got it back from Richard.

Now, very reluctantly, Steve has decided to let it go. So, it is a 2006, never sold, new, with full warranty, once-in-a-lifetime guitar.

This guitar has an old, Chocolate, quarter-sawn Brazilian Rosewood back with dramatic sapwood in the center.

The sides have significant spiderwebbing.

Soft cutaway.

Curly, curly Maple body, fretboard and headstock bindings.

Cury Maple heelcap and tailwedge.

Steve held back nothing when he built this guitar.

This is his Eagle model and as such sports an Ebony bridge shaped like an eagle and also has a blue paua eagle headstock as well as fretboard inlay.

The ebony fretboard has delicate blue paua lines running along each edge.

These same fine lines outline the spalted maple rosette which is KILLER!

The headstock also has this wonderful spalted maple on the faceplate.

It is also trimmed in blue paua.

The aged top has blue paua purfling around the top and the fretboard perimeter.

Gold mini Grover tuning machines with ebony buttons.

Blue paua Moonstone headstock logo.

Custom fit brown alligator Cedar Creek case.

This guitar is magnificent!

 

Details
Make: 
Moonstone
Model: 
J-90E Brazilian
Condition: 
New
Price: 
$11,500
Stock: 
Yes
Options
Cutaway: 
Venetian
Nut Width: 
1 3/4"
Saddle Spacing: 
2 1/4"
Scale Length: 
25.5"
Frets to Body: 
14
Audio
Sample: 

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Photos
Extras
Additional Info: 

Additional Info: 

 

About Moonstone

Moonstone guitars, founded by Steve Helgeson, has been producing some of the worlds finest hand-crafted acoustic, electric and bass guitars for nearly 30 years. Self taught, in 1972, Steve set up his first shop in an old shingle mill located in the woods of Moonstone Heights, California. There he experimented primarily with acoustic guitar designs. In 1974, Steve moved to Arcata, California and developed the Earthaxe electric, while also doing repairs for a local music store. In 1976, Steve moved down the street to a larger shop where he built two large acoustic basses, and continued to produce the Earthaxe line, along with a few acoustic 6 strings.
From the beginning, Steve has implemented the use of highly figured and exotic imported tone woods. He also pioneered the use of Pacific Quilted Maple, Myrtlewood, Maple and Walnut Burl.

In 1977, Steve settled into an even larger shop, an old church, further down the street. He collected some light production machinery, hired employees, and expanded his line of instruments. By the early 1980s, Moonstone reached its peak of production, shipping over 1000 guitars throughout the United States and Europe. Late in the 1980s, the Moonstone factory was destroyed by arson.

By 1990, Steve salvaged most of the equipment and inventory and built a new shop in Eureka, California. Working alone, Steve delved into the art of designing and voicing new acoustic guitars. The J-90 auditorium size acoustic was conceived and the first models had side, backs, and necks of West African Wenge, with Englemann or Sitka Spruce sound boards. Wenge produces a very high and low frequency, resulting in a very loud, balanced tone. This model is now built using wide flamed and quilted Maple, heavily figured Koa, Macassar Ebony and Rosewoods, as well. Steve personally carves and dimensions the scalloped X-braces on all guitar tops. He tap tunes each top until it loosens and vibrates freely as a sound plate (voicing procedure). After nine or more years of doing so, Steve has fine-tuned this operation.

In 1995, the B-95 acoustic bass was designed and built in 4 or 5 string cutaway versions. The large body design (20 inch wide lower bout) allows the volume of this bass to be heard when accompanied by two or more acoustic guitars without being drowned out. It is also optionally amplified. Steve has constructed commissioned instruments in the traditional slot-head fashion of the 1920s and 1930s: in 00, 000, and OM sizes: with 42 and 45 style abalone trim.

Most recently, the J-99 super slope shoulder jumbo acoustic was designed and built as a 12-fret finger style guitar. It has incredible bass response, with balanced mid range and treble. All acoustics are also offered in cut-away version.
 

 

 

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The photos contained herein are solely the property of Guitar Gallery.
All recordings contained herein are copyrighted and provided by Guitar Gallery. Instruments are played by Markham Brown, Tim Thompson, Danny Combs, Deanie Richardson, Melissa Dupuy, Lance Allen, Robin Weber or Margaret Becker.
Any transmission, duplication or re-publication is prohibited without the express written consent of Guitar Gallery.

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